Chuck Jones is One Hundred Years Old today, September 21st, 2012.
Chuck was born on Septermber 21st, 1912, in Spokane. He graduated from the Chouinard School (now known as CalArts) in the early 30’s and started working bottom of the barrel animation jobs, such as washing cels. Eventually he made his way to Warner Brothers and started working in the Termite Terrace studio on Looney Tunes and Merry Melodies shorts. He worked as an assistant animator for Tex Avery and Bob Clampett until he directed his first short, The Night Watchman.
Jones started out doing more cutesy material, stuff that was closer in content to Disney rather than what we traditionally think of the Looney Tunes. He broke this habit with The Dover Boys.
From there, Chuck went on to make his most famous shorts: “What’s Opera Doc?”, “One Froggy Evening”, “Duck Amuck”, and of course created Pepe LePew, Marvin the Martian, and Wile E. Coyote and Road Runner.
Later, in the 60’s, Jones left WB (after winning a few Oscars) and pursued other creative endeavors. He teamed up with Theodore “Dr. Seuss” Geisel to make the classic animated “How the Grinch Stole Christmas” tv special, which to this day is still shown on tv during the holidays. He also won another Oscar for his short film subject “The Dot and the Line: A Romance In Lower Mathematics.” He would close out the 60’s by producing the animated/live action hybrid film “The Phantom Tollbooth”.
After that Jones worked on many different things throughout the 70’s, 80’s and 90’s, including 520 episode of The Electric Company. He became a lecturer, and even made cameo appearances in movies like “Gremlins” and “Innerspace”, which were directed by his friend Joe Dante, and contributed animated sequences to “Gremlins 2: The New Batch” and “Mrs. Doubtfire”.
Jones is one of the few artists who lived to see his work properly appreciated. He received numerous awards even after he stopped making cartoons regularly. A voracious reader of literature (particularly Mark Twain), he was a thinking man’s animator, someone who approached his cartoons with critical thought and deep philosophy, which only highlighted the humor.
He died relatively recently on February 22nd, 2002, at the age of 89. Robin Williams once referred to him as “the Orson Welles of cartoons”. Today, we celebrate his centennial.
Watch!
Duck Amuck (*)
How the Grinch Stole Christmas (*)
The Dot and the Line: A Romance In Lower Mathematics
The asterisk links are to the DVD collections each cartoon appears on [because 1) I own them and love them and you might too, and 2) Warner Bros. protects its copyright pretty aggressively, so those links won’t work forever].
Happy birthday, Chuck, and thanks for everything.
Happy Birthday (sort of), Bugs Bunny!
Seventy-two years ago today — on July 27th, 1940 — Bugs Bunny appeared in Tex Avery’s A Wild Hare. The Warner Bros. short is widely considered to be the first definitive Bugs Bunny cartoon, in which the character’s appearance, personality and voice gelled as a whole. It’s also the first time Bugs, voiced by the inimitable Mel Blanc, uttered his famous catchphrase, “What’s up, doc?”
Background and character layouts by Warner Bros. cartoonist Abe Levitow
Duck Dodgers in the 24 1/2th Century, Tom Whalen
Or, as Daffy says it: DUCK DODGERRRRSSS IN THE 24TH AND A HALF CENTURYYYYY!!!
In related news, I have this cartoon on DVD but I’m super bummed I can’t find it online to share with you all. :(
I’ll probably be incapable of pronouncing “abominable” correctly for the rest of my days and I blame this cartoon.
Punch Trunk (dir. Chuck Jones, 1953)
This is one of my absolute favorite cartoons ever. It was intensely interesting to me as a kid that this cartoon had none of the regular characters in it, was just a one-off — it seemed transgressive, almost. BE WARNED: The volume is crazy high, so turn your speakers waaaayy down before pressing play.
A Corny Concerto (1943) featuring “Tales from the Vienna Woods” and “The Blue Danube”
But this one especially! It was on a bootleg VHS collection of pre-1950 Warner Bros cartoons we had at my dad’s house when I was a kid. Oh man, I could write 1000 words on this cartoon. I’ve almost certainly seen it over a hundred times. Every frame is so familiar, it’s like watching a memory. Just last week, “The Blue Danube” came on the radio, and my first thought was, “Haha, that damn duck. Love that guy.”
Rabbit of Seville (1950)
Did anyone else, upon hearing classical music (and to a lesser extent, opera) later in life, respond with utter, mind-melting confusion? “Um wait. Just wait a second. Just wait one goddamn tiny second here. That is the Bugs Bunny music.”
(via bunkercomplex)